3/18/2023 0 Comments Slapdash albumsAngus and Malcolm Young suddenly had complete creative control. The saving grace was a disaster - Johnson had to take a leave of absence, so he couldn't write any lyrics. When time came to record a new album for the new decade, the band was in shambles - rhythm guitarist Malcolm Young checked into rehab for alcoholism, their drummer Phil Rudd quit, and lead singer Brian Johnson was going through a brutal divorce. The three albums released after that weren't exactly failures, but they were considered mediocre compared to that legendary collection. Since 1990, in fact, when they released their last truly great album - The Razor's Edge.Īs noted by Ultimate Classic Rock, the band struggled after the enormous success of 1980's Back in Black. Still, the band has been coasting for a long, long, long time. After this, they pursued safer, poppier songs and never again achieved true greatness. This was the last Van Halen album that got buzz, that people argued over. The album continued the more pop-oriented and keyboard-heavy sound explored on 1984 but also brought a more mature songwriting style (to be fair, anyone would have been more mature than David Lee Roth) and hyped up the hard rock sound of Eddie Van Halen's guitar - quite a feat. The result was an album that Ultimate Classic Rock says "contains a lot of greatness" and calls it a "commercial powerhouse unlike any other Van Halen album."Īs Rhino notes, there's a reason 5150 was Van Halen's first number one album (and it's not just because Michael Jackson's Thriller froze 1984 out of the top spot). That meant the band had something to prove. When Gilmour reformed Pink Floyd a few years later (without Waters), they delivered some hit albums but nothing near as good.īut when Roth left the band due to creative differences (translation - working with Eddie Van Halen had become impossible), Van Halen surprised everyone by hiring Sammy Hagar, a singer who on paper seemed like a terrible choice. Then Waters himself left and tried to sue Gilmour and Mason to stop them from using the name Pink Floyd. Keyboardist Wright left the band, and their next album, The Final Cut, was a glorified Roger Waters solo album. Waters had been taking more and more creative control of the band, squeezing out the ideas and songs written by other members, and everything came to a head with The Wall. The combination of Waters' visceral, personal storytelling and the band's incredible level of musical ability made the album an all-time classic.īut as The Conversation reports, the recording sessions destroyed the band. Although Waters dominated the songwriting and concept of The Wall, Gilmour's influence is evident throughout. As Ultimate Classic Rock notes, The Wall is the last time the band - Roger Waters, David Gilmour, Richard Wright, and Nick Mason - sounded like a band, a cohesive creative unit.
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